borzoiteeth

I won’t have kids. I absolutely have taught other people’s kids though.

Other comments aside, humans have at least 4 different kinds of pelvis shapes (Caldwell–Moloy classification). If you decide to look further into the research, we actually have no idea which pelvises are most common for any sex. Any research done has largely been “which best for woman give birth” and that’s it.

We have no data to give a proper average of what should be expected for those assigned male at birth. We have no data for those who are intersex either but worse because even many modern practices do their best to hide everything.

No idea where you live, but to give you a start:
https://isna.org/
http://www.ukia.co.uk/

Best luck to you finding your answers.

I 100% believe it’s because the terfs feel super empowered right now because they have a popular and rich children’s author on their side. Sometimes it doesn’t matter how small the group is when they have all the money to tweak the laws as they see fit.

Since very few people are educated in seeing that, it continues this terrible cycle of fear and assumption.

I haven’t read the original series in a long time, but I remember every time I did it was jarring. To be fair, because of the popularity angle Jump runs on and the rng element of what their editors decide what amateur work gets to shine for that week, you will get a lot of stuff that feel like they were on their 1st rough draft instead of being allowed to cook longer.

Since YuGiOh was allowed to keep going, Takahashi was able steadily work out of that rough draft feel and we get to see who (mostly) everyone is! However, this means lot of the past is in a form of retcon status. Which is really disappointing. A lot of things I wished got explored only gets mentioned in one sentence and never again. (What do you MEAN Bakura has a dead sister that he keeps writing letters to??)

I can’t remember what films Takahashi said inspired him to start with the “revenge fantasy but I’m embracing its horror” start. That part of the early story felt weak to me (despite me usually preferring that focus) because it was done in the “monster of the week” format. But again can’t really blame Takahashi for that, it’s the kind of story format Jump thrives on. Thankfully he learned fast and was able to break out of that format.

Another one who prefers the manga here! Though it has been a while since I read it.

Takahashi was amazingly more open and honest about how restrictive JUMP was than most other artists (before and after Duel Monsters ended!). Other artists under that juggernaut of a publishing company usually wouldn’t say a thing or polity word how their editors nudge them in a different direction. Every time I remember reading those interviews I weep for what YuGiOh could of been.

Never heard of this one and it’s title and your summary has grabbed me. Will check it out~