L’Internationale :france-cool:

The Paris Commune was established on 18 March 1871, but its roots can be traced right back to 1848, when a wave of democratic revolution originating in France washed across the European continent

In France, the democratic revolution was defeated in a matter of months, ending with the bloody suppression of a workers’ revolt protesting against the closure of the national workshops in June 1848. Despite this, the street fighting of this period laid the foundations for the establishment of an autonomous French workers’ movement, which operated independently of the centrist bourgeois political parties—a key prerequisite for the formation of the 72-day-long “Republic of Workers” in 1871.

Following the defeat of the uprising, however, a military dictatorship initially asserted control, before handing the reins to Napoleon III a few months later. East of the Rhine, in a fragmented Germany, monarchic powers were also able to put down revolutionary efforts and defeat the democracy movement. The latter’s demand for German national unity was subsequently co-opted “from above”, redefined and positioned as a project designed to suit the Prussian-led response. The policies pursued by the Prussian crown were geared towards preserving monarchic power while also seeking to unify Germany, this would led to the Franco-Prussian War.

During the Franco-Prussian war the then Emperor Napoleon III was capture during the Battle of Sedan. This sudden defeat sealed the fate of the Second French Empire, but did not signify the end of the war, with the Prussian troops marching onwards towards Paris with the aim of capturing it.

Following the defeat at the Battle of Sedan, the Third Republic was proclaimed in Paris, despite a complete lack of democratic legitimacy. Although the empire’s political and military failures meant it had been discredited, the Republic did not act to remove the monarchy. According to Marx, the measures taken by the government were evidence that they had “inherited from the empire not only ruins, but also its dread of the working class”.

By the beginning of October 1870, Paris was under total siege, beset on all sides by Prussian forces, and attempts to break the siege line with troops from the provinces had also failed. At the end of January 1871, Jules Favre, minister of foreign affairs for the Provisional Government of National Defence, signed an armistice with the newly formed German Empire

The armistice treaty stipulated that only a freshly elected National Assembly would have the power to ratify an eventual peace treaty. The assembly first met on 12 February in Bordeaux—far removed from the nation’s capital, which remained in a state of total siege by German troops.

In Paris, both the choice of location for the National Assembly as well as the make-up of the new government were viewed as betrayals of those who had spent months defending the capital against the siege.

In order to defend Paris against the German troops, in September 1870 the Thiers-led government had reorganized the National Guard and enlisted unemployed men into its regiments. This led to a change in the military’s demographic character; National Guard soldiers deposed their officers, elected new commanders from within their own ranks, and also established their own governing body, the Central Committee of the National Guard.

Having failed to capture the cannons and surprised by the workers’ resolve, Thiers decided to decamp the capital and head to Versailles, accompanied by his government and loyalist army regiments. That they were able to flee the city with ease was due to the fact that the National Guard battalions—anticipating a renewed attack by government forces—had barricaded themselves in their neighbourhood strongholds or otherwise directed their movements to avoid a confrontation.

As the sun set over Paris that evening, power in the French capital essentially resided on the streets. Given this situation, the National Guard’s Central Committee decided to cobble together a provisional government. The majority of the Parisian population first learnt of the shift that had occurred in their city the following morning, when the Central Committee occupied the Hôtel de Ville, raised a red flag, and addressed the city’s residents with their first proclamation:

You charged us with organizing the defence of Paris and of your rights.

We are conscious of having fulfilled this mission: aided by your generous courage and your admirable calm, we have chased out the government that betrayed us.

At this time our mandate has expired, and we yield it, for we don’t claim to be taking the place of those who a revolutionary wind has just overthrown.

So prepare and carry out your communal elections, and as a reward give us the only one we ever wished for: seeing you establish the true republic.

In the meanwhile, in the name of the people we will remain at the Hôtel-de-Ville.

The provisional government’s first official act was publishing a call for elections to determine the make-up of the Commune Council. The revolution of the previous day had laid the foundations for a French republic that would permanently “mark the end of the era of invasions and civil war”. Additionally, the Central Committee saw itself as the force that had defended Paris and one which would now return control of the city to its residents through the council elections.

The election took place less than ten days later, on 26 March; just two days later, the Paris Commune officially came into being. Given the urgency of organizing an election within such a short timeframe, there was scant discussion about the Commune’s actual political programme in those first few days. For this reason—according to Prosper Lissagaray, himself a Communard—votes were primarily cast based on name recognition. Consequently, the Commune Council ended up comprising a colourful mixture of Jacobins, socialists, anarchists, Romantics, and representatives of the bourgeoise opposition to Napoleon III. This meant that the Commune included powerful factions that took their political inspiration from the concepts of the bourgeoise French Revolution of 1789 right alongside proto-socialists, anarchists, and Marxists. This diversity of political positions was reflective of the century of class struggle that had preceded the founding of the Commune.

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Links To Resources (Aid and Theory):

Aid:

Theory:

  • GalaxyBrain [they/them]@hexbear.net
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    7 months ago

    I figured out throat singing a while back and it’s super fun. If you blast a lot of reverb and jam some doom metal with people it sounds cool as hell

    • GinAndJuche [comrade/them]@hexbear.net
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      7 months ago

      It’s one of the most badass ways to sing.

      If you like metal you probably already know about the wave of Mongolian bands that blew up several (welp, more than several) years ago. If not they fucking rule and are worth a listen.

      • GalaxyBrain [they/them]@hexbear.net
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        7 months ago

        I’m not much of a metal guy but what’s posted below was essentially what I was thinking with a more deathdoom/funeral doom situation. Ananethema but deep reverbed growls with some throat singing. Asunder is sorta my baseline if you know them, I’m from a pink background and it’s members of Dystopia and skaven, two of the best crust bands.

          • GalaxyBrain [they/them]@hexbear.net
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            7 months ago

            SKAVEN IS MAYBE MY FAVORITE BAND! HERES ALL THEIR STUFF. ITS SUPER FUCKING DARK!

            Split with Dystopia - Blessed are the Worms for they Shall Inherit This Barren Dirt

            https://m.youtube.com/watch?v=W7X_PYibvp8&pp=ygUVc2thdmVuIGR5c3RvcGlhIHNwbGl0

            Flowers of Flesh and Blood 7"

            https://youtu.be/nwnp2Pwl3eU?si=CXtbAZWEsRunshHD

            Blog entry with what little info is around and lyrics scans for the split:

            https://terminalsoundnuisance.blogspot.com/2014/06/skaven-dystopia-st-split-lp-1996.html?m=1

            Severed:

            The light of day upon the Earth

            Death and decay to mark our birth

            We make the pain, sadness, and disdain

            We make our lives a maddening cry

            In a madman’s world - we play the parts

            Puppets of flesh - with electronic hearts

            Strings are severed - now all is severed

            Sown shut eyes - no longer seeing

            Words that tie - no longer binding

            Life “inside” makes the soul drain

            Life “outside” is a lash of pain

            Look to the gods for light

            But they bless only with fear

            Like a “thief” in the night

            They brought the misery here

            This diseased theology

            Is an infection in us all

            We call ourselves “erect”

            But we can only crawl…

            Walk with me through the valley

            Of broken dreams

            And hopes are crushed by

            Madness and pain

            You inflict as you turn

            The key to unlock

            A world of shit and greed

            Cut the strings again

            All is severed

            Flowers of Flesh and Blood:

            I walked through the fields

            In the valley of man

            I peered into pools

            In which life began

            The paramecium’s

            Screaming cry

            To touch the heavens,

            Or just the sky?

            I looked at this life

            An experiment perverse

            We are not progress,

            Just going in reverse

            I walked in the fields

            Among the flowers of flesh and blood

            I swam through “salvation”

            To crawl in the flood

            This is just an ode

            To life out of the mud

            We are just flowers,

            Flowers of flesh and blood

            Fucking LOVE Skaven.

            • GinAndJuche [comrade/them]@hexbear.net
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              7 months ago

              That shreds so hard. I love it when metal bands that go hard are also nerds into similar stuff.

              The donner party sample really sets the mood. Had to watch so many documentaries about them in elementary school

              • GalaxyBrain [they/them]@hexbear.net
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                7 months ago

                They’re a punk band. The distinguishing factor when it’s crust is mostly your association. If you’re metal it’s metal, if you’re punk it’s crust. The sample is from The Shining. For context they were living in a squat with Dystopia and were junkies

                  • GalaxyBrain [they/them]@hexbear.net
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                    7 months ago

                    Sorta kinda. Crust came from the uk anarcho punk scene and is sort of a parallel evolution to death metal. Like thrash was metal bands incorporating punk and then crust was punks interpreting early trash to an extent and death metal was metal guys using some of the more extreme and noisy elements that punk then added and made it metal again. There can be a lot of ins and outs depending on eras and scenes but the exact point musically between the two is Bolt Thrower. Basically if the musicianship is generally less complex and the lyrics are generally politically based it’s crust and if it’s musically complex to a fault and the songs are about maggots and necrophilia you’re in metal town. Grindcore is a punk subgenre, goregrind is a metal subgenre. So yeah, vibe and who you hang with. Although Skaven is in a very metal end of crust, they can play their instruments and stuff