Walk_On [he/him]

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Cake day: July 20th, 2022

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  • Ocasio-Cortez did not directly call Israel’s military action a genocide during a “Meet the Press” interview in late January as she sidestepped a question about whether using the term was going overboard.

    “Some of your colleagues have accused the president of supporting genocide, including Rashida Tlaib. Do you agree with that word, genocide, that the president’s been supporting a genocide, or does that go too far?” host Kristen Welker asked her during the interview.

    Ocasio-Cortez replied that the young people throughout the country were “appalled at the violence and the indiscriminate loss of life.” She cited a recent United Nations’ International Court of Justice decision that stated Israel has a responsibility to prevent a genocide.

    “They are still determining whether it’s a genocide. Do you think that term is responsible given it’s still under investigation?” Welker pressed.

    “I believe that they are. They’re still determining it. But in the interim ruling, the fact that they said there’s a responsibility to prevent it, the fact that this word is even in play, the fact that this word is even in our discourse, I think, demonstrates the mass inhumanity that Gazans are facing,” the congresswoman replied.

























  • Walk_On [he/him]@hexbear.netOPtothe_dunk_tank@hexbear.netRadio Head
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    10 months ago

    The album’s lyrics, written by Yorke, are more abstract compared to his personal, emotional lyrics for The Bends. Critic Alex Ross said the lyrics “seemed a mixture of overheard conversations, techno-speak, and fragments of a harsh diary” with “images of riot police at political rallies, anguished lives in tidy suburbs, yuppies freaking out, sympathetic aliens gliding overhead.” Recurring themes include transport, technology, insanity, death, modern British life, globalisation and anti-capitalism. Yorke said: “On this album, the outside world became all there was … I’m just taking Polaroids of things around me moving too fast.” He told Q: “It was like there’s a secret camera in a room and it’s watching the character who walks in—a different character for each song. The camera’s not quite me. It’s neutral, emotionless. But not emotionless at all. In fact, the very opposite.” Yorke also drew inspiration from books, including Noam Chomsky’s political writing, Eric Hobsbawm’s The Age of Extremes, Will Hutton’s The State We’re In, Jonathan Coe’s What a Carve Up! and Philip K. Dick’s VALIS.

    https://en.wikipedia.org/wiki/OK_Computer#Music_and_lyrics