• CarbonScored [any]@hexbear.net
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    10 months ago

    Relevant XKCD quote I think of frequently:

    Normal light interacts with the atmosphere through Rayleigh scattering. You may have heard of Rayleigh scattering as the answer to “why is the sky blue.” This is sort of true, but honestly, a better answer to this question might be “because air is blue.” Sure, it appears blue for a bunch of physics reasons, but everything appears the color it is for a bunch of physics reasons.

    When you ask, “Why is the statue of liberty green?” the answer is something like, “The outside of the statue is copper, so it used to be copper-colored. Over time, a layer of copper carbonate formed (through oxidation), and copper carbonate is green.” You don’t say “The statue is green because of frequency-specific absorption and scattering by surface molecules.”

    So yes, they are blue. They’re just blue for a slightly less common reason than other blue things.

  • plinky [he/him]@hexbear.net
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    10 months ago

    You see the light reflecting from paint doesn’t actually become blue, it loses yellow nerd

    so if i put spectrophotometer, it won’t show spike at 460 nm?

    well, yes, it would nerd

    fucking nerds

  • AOCapitulator [they/them]@hexbear.net
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    10 months ago

    Yeah fuck Canada!

    What’s the joke though?

    That is how light works there, its subsurface scattering or thin film interference (don’t remember which) isn’t it?

    • KobaCumTribute [she/her]@hexbear.net
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      10 months ago

      It’s someone fundamentally misunderstanding an actual fact (that blue colors in nature almost never work the same way as normal pigments, and are a physical structure refracting light instead of a chemical that absorbs other light frequencies and reflects blue ones) as meaning something isn’t “really” blue. Like the feathers aren’t a blue pigment that could be dissolved in some base and used as paint (presumably) because their color is a structural rather than a chemical property, but it’s just silly to decide that the ontology of something “being a color” is dependent on chemical pigments instead of what it literally looks like when exposed to light.